While at RCA my research interests have focused on the role of collections of contemporary art, their formation and exhibition in public and private contexts, as well as the delicate relationship between public institutions and private collections. Beyond this, following my previous experience in Sydney working with early-career artists, as well as in communications and collections management, I am interested in creating opportunities for artists to develop their practice and engage audiences in ways that encourage critical thinking while also being accessible. I continue to develop my writing, contributing to the Australian publications Art Monthly Australia, runway and Das Superpaper and while in London have been fortunate to be involved in research for the organisation Culture+Conflict. I am interested in the networks and support structures for contemporary art practice – something I was able to explore during the development of our graduating exhibition, Ritual Without Myth.