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  • Global Design History, G. Adamson, G. Riello and S. Teasley (eds). Click to enlarge.

    Global Design History, G. Adamson, G. Riello and S. Teasley (eds)

  • Research

    Publications

  • Teasley, S. (2012, forthcoming) ‘Tange Kenzo and Industrial Design in Postwar Japan’, in: S. Kuan and K. Lippit (eds), Tange Kenzo, Zurich: Lars Muller

    Teasley, S. (2012, forthcoming) 'Design and material culture in Japan, 1750–1900' and 'Design in Japan, 1900–2000', in: P. Kirkham (ed), A History of the Decorative Arts and Design 1400–2000, New Haven and London: Yale University Press

    Teasley, S. (2012) 'The Gender of Beauty in Architectural and Interior Design Discourse in Modern Japan’, in: A. Yuen Wong (ed), Visualizing Beauty: Gender and Ideology in Modern East Asia, Hong Kong: Hong Kong University Press, 113–30

    Adamson, G., Riello, G. and Teasley, S. (eds) (2011) Global Design History, London: Routledge

    Teasley, S. (2011) ‘Always already postmodern? Japanese design and architecture in the 1980s’, in: G. Adamson and J. Pavitt (eds), Postmodernism: Style and Subversion, 1970–1990, London: V&A Publishing, 248–53

    Teasley, S. (2011) ‘The contingency of weight: How a laptop becomes a desktop, and other stories’, in: G. Hollington (ed), Rightweight, London: Materials and Design Exchange, 2011, 19–24

    Teasley, S. (2010) ‘History’s curves: Modernist furniture, manufacturing technology and craft in modern Japan’, in: Design and Craft: A history of convergences and divergences, Brussels: Koninklijke Vlaamse Academie van Belgie, 442–45

    Teasley, S. (2010) ‘The simple beauty of thin black lines and blurry white surfaces’, in: Thin black lines and Blurry white surfaces, London: Phillips de Pury and Saatchi Gallery, np

    Teasley, S. (2009) ‘Travel-Writing the Design Industry in Modern Japan, 1905–25’, in: M. Mitrasinovic and J. Traganou (eds), Space, Travel, Architecture, London: Ashgate, 103–24

    Teasley, S., et al. (2008) ‘Anata ni totte no dezain myujiamu to ha? [What, for you, is a design museum?]’ Dezain myujiamu rinku [Design & Museum Link] 1 (1), 4–15

    Tanaka, A., Teasley, S., Nakatani, R. and Uchida, S. (2007) ‘Japanese Houses in the United States c. 1900’, in: Annual Report of the Housing Research Foundation, Tokyo: Housing Research Association, 99–110

    Teasley, S. (2007) ‘Denka seihin no dezain no riyo to bashosei: Taiheiyo ryogawa no seikatsu bunka ni oite tenkai suru gijutsu riyoho [Localness and the Design and Use of Household Technology on Two Sides of the Pacific]’, Technological Innovation in Japan Collecting Experience and Establishing Knowledge Foundation, Report of the 3rd International Symposium, Tokyo: National Museum of Nature and Science, 191–201

    Teasley, S. (2005) ‘Home Builder or Homemaker? Reader Presence in Articles on Homebuilding in Commercial Women’s Magazines in 1920s Japan’, Journal of Design History 18 (1), 81–97

    Teasley, S. and Watabe, C. (2005) 20th Century Design History, Tokyo: Petit Grand Publishing

    Teasley, S. (2004) ‘Reforming the Inside Out: Kogure Joichi on Furniture and Architecture’, Design History 2, 75–114

    Teasley, S. (2003) ‘Furnishing the Modern Metropolitan: Moriya Nobuo's Designs for Japanese Domestic Interiors, 1922–1927’ Design Issues 19 (4), 57–71

    Teasley, S. (2001) ‘Nation, Modernity and Interior Decoration: Hybridity and Identity in the 1922 Peace Commemoration Tokyo Exposition Culture Village Houses’, Japanstudien 13, 49–88

    Teasley, S. (2001) ‘The National Geographics of Design: The Rhetoric of Tatami in 1920s and 30s Japanese Interiors’, in: S. Accach (ed), De-Placing Difference: Architecture, Culture and Imaginative Geography, Adelaide: University of Adelaide Centre for Asian and Middle Eastern Architecture, 267–76