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      • Cover: Screen Theory Culture by Mark Nash, (Palgrave MacMillan, 2007). Click to view.

        Cover: Screen Theory Culture by Mark Nash, (Palgrave MacMillan, 2007)

      • Of this Tale, I cannot guarantee a single word. Click to view.

        Of this Tale, I cannot guarantee a single word

  • Publications

    Curating Contemporary Art Publications

  • To obtain a copy of any of these publications, please email Artdata, the distributor for CCA publications at orders@artdata.co.uk or call +44 (0) 20 8747 1061.


    Of this Tale, I cannot guarantee a single word

    Accompanying catalogue for Of this Tale, I cannot guarantee a single word, an exhibition curated by graduating students from the Curating Contemporary Art Department.

    Exploring the way in which stories are told, Of this Tale, I cannot guarantee a single word looked to literature, comic books, cinema, documentary and oral traditions. Equally the writing in this catalogue not only explores the artists in the show, but also the different genres and media through which we come to learn the stories that form our shared history.

    Editors: Alice Motard, Natalie O'Donnel, Kate Stancliffe
    Design: APFEL (A Practice for Everyday Life)
    ISBN: 978-1-905000-52-4


    Screen Theory Culture

    Head of Curating Contemporary Art Professor Mark Nash’s latest work, Screen Theory Culture, is an indispensable reference tool for all those interested in the moving image. In this collection Nash makes a series of historically significant articles accessible to a new audience. Hugely influential for some thirty years, Screen was and is the leading journal/magazine for serious and academic film analysis. As editor of Screen in the seventies, Nash was part of the magazine's persuasive role in defining film studies. His essays of the time did much to set an agenda on point of view and subjectivity, are still current today and are an exemplary guide to the issues and questions surrounding contemporary moving image art. They will be essential reading for any film studies or art history course.

    Author: Dr Mark Nash
    Publisher: Palgrave