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  • Big Money is Moving In. Click to view.Outer Courtyard, Lei Lutai House, Shanxi Province, China, Kirstin Beattie. Click to enlarge.Mrs Condé Nast in Evening Dress. Click to view.A Fourteenth-century Minbar in the Sultan al-Mu’ayyad Mosque, Cairo, Suzanna Cullen. Click to enlarge.Great Hall at Knole, Sevenoaks, Kent. Click to view.Sauvons la mer. Non a la centrale nucleaire. Click to view.Science Exhibition at the Festival of Britain, 1951. Click to view.Swedish Embassy, New Delhi, 1959; architects Sune Lindström and Göran Curman. Click to view.E Q Nicholson, Black Goose (1938). Click to view.Steampunk All-In-One PC, Jake von Slatt. Click to view.Anti-Corn-Law League Bazaar of 1845. Click to view.Scenes from The House of Beauty and Culture: The Twilight Home of English Romantic... Click to view.Untitled. Click to view.Two Nymphs. Click to view.Forêt Vierge du Brésil (or, the Brazilian ‘virgin forest’ as represented at the ... Click to view.Super Lamp, Martine Bedin for Memphis, 1981. Click to view.Mid-eighteenth-century Decorative Plasterwork at Royal Fort, Bristol. Click to view.Detail from the ‘Giustiniani Chest’. Click to view.China’s ‘Earth and Wood’ Shines Forth in Berlin. Click to view.Interior of ‘Lifestyle’ Drum at powerhouse::uk, Horse Guards Parade, London, 1998. Click to view.The Peckham Pioneer Health Centre, 2011. Click to view.Carved Ivory Rosary with Garnet Beads, Belgium, c. 1500 (1879,0203.2). Click to view.Photograph from American Fabrics Magazine, No. 38, Fall 1956. Click to view.
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    RCA / V&A History Of Design

  • The department offers a unique opportunity to study the history of design and material culture. It benefits from being taught in the context of the high level of design practice undertaken by students at the RCA and the superb collections of the V&A Museum.

    Students approach the history of design both through its objects and its contexts – social, cultural, economic, political, technical and aesthetic. We offer three specialist pathways within the course: Renaissance (1400–1650); Asian (1450–now) and Modern (1650–now). Our aim is to improve the quality of research and debate surrounding design and its practice, and to extend historical enquiry to include objects of design as a form of primary source material.