•  

     

  • Content within this section...
  • Gallery, Rose Blake. Click to enlarge.From the Paper Bag Potter and Bobbin series, Jo Blaker. Click to enlarge.Film still from Face to Face, Jocelyn Cammack, PhD. Click to enlarge.Untitled, Daniel Carroll. Click to enlarge.Radiant Machine, Amy Carter. Click to enlarge.Untitled, Pedro Cid Proença. Click to enlarge.Passenger (Attachment Theory), Briony Clarke. Click to enlarge.Mixed Episode No. 82, Sarah Cockings. Click to enlarge.Walls Have Ears, Matthew Dale. Click to enlarge.Exploring the ‘mise en abime’ of the object book and its use as an exhibition mate... Click to enlarge.The Alphabet Up Close, Marine Duroselle. Click to enlarge.Market Estate (series; image 3 of 110), Sophie Dutton. Click to enlarge.Bamboo Coffin (image by William Wainman), Nilofar Emami. Click to enlarge.Untitled, Kathryn Ferguson. Click to enlarge.Type 93 Radar, RAF Trimingham, Matthew Flintham, PhD. Click to enlarge.John Smith | Solo Show (publications and communications materials), Maël Fournier-... Click to enlarge.SHOW YOUR TEETH. HERE I COME, Holly Francis. Click to enlarge.So Much for Opposition (poster from the Red Tape series; with S Dutton, H Montague... Click to enlarge.Terence Conran Dinner Invite (L&M): No Lemon, No Melon x 4, Lola Halifa-Legrand. Click to enlarge.Detail from cover of the Erotic Journal 55; introduction; photography by Luigi &am... Click to enlarge.Wonderland, China, Catherine Hyland. Click to enlarge.Hold the Ice as Long as it is Comfortable, Hand it Over, Wait and Repeat (from the... Click to enlarge.Within These Pages, Akhila Krishnan. Click to enlarge.High Expectations, Liron Kroll. Click to enlarge.There Are People, Joonho Kwon. Click to enlarge.The Face, Yann Le Bec. Click to enlarge.At Night, Somang Lee. Click to enlarge.I’m God [Lil B] / Places I’ve Lived, Michael Lum. Click to enlarge.Open Source Publishing Workshop, Afonso Martins. Click to enlarge.And I Shall Listen, Ana Minguez. Click to enlarge.Without Colours, Paddy Molloy. Click to enlarge.Untitled, Alice Moloney. Click to enlarge.Untitled, Hannah Montague. Click to enlarge.Part of the 20 pages of an Untitled Manuscript, Yi Lin Juliana Ong. Click to enlarge.Watercolour on paper, Rachel Pedder-Smith, PhD. Click to enlarge.Untitled, Joseph Pochodzaj. Click to enlarge.Ghost Light, Michael Redmond. Click to enlarge.Untitled (from The Violent Ordeals), Catherine Roissetter. Click to enlarge.Island Press Conference, Samara Scott. Click to enlarge.Station, Rachel Sim. Click to enlarge.Oceanic Mass, Maya Stocks. Click to enlarge.Underbelly, Chris Stoneman. Click to enlarge.Land of Milk and Honey (detail), Eleanor Taylor. Click to enlarge.7 Minutes Apart, Nienke Van Wijk. Click to enlarge.At the Places of Accident #2 (from the At the Places of Accident series), Thomas V... Click to enlarge.
  • Show RCA 2011

    Communication Art & Design

  • In this unprecedented time of major change and new challenges, we have been thrown into the centre of an exciting vortex and have to grab the immense potential at hand.

    Ensuring that our students are on the front edge of the new disciplines that will evolve in visual communication means considering new technologies alongside traditional ones, understanding the changed relationship between the designer and society, and moving along a line between making things and making thought. From a Utopian point of view, we are here to help define and build a better world through the development of skilled, aware, creative minds and appropriate action.

    Students and staff in CA&D today work alongside each other in an enormous number of disciplines — photography, film, video, text, paint, sound, wood-block type, print, environment and digital. Ideas and creativity are our main medium, and visual intelligence, thoughtfulness and playfulness are the tools of our trade. The role of a communication designer or artist today is no longer limited to a single discipline or linear career path. What is required now is a breadth of skills and personal qualities: the ability to be fluent in a wide range of technical skills and of thinking-through-making backed by rigorous self-criticism; an informed awareness of context and audience; the ability to work collaboratively as well as independently; and above all an idealistic commitment to improve whichever field of the cultural environment they choose to work in. With the accent on individual development within a vibrant and supportive working community, the RCA teaches the parts that other universities cannot reach.