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  • Praying Hands Soap, Aurelie Dellasanta. Click to enlarge.Is Jewellery More Important than Clothes?, Ji Sung Ha. Click to enlarge.Untitled, Marion Isaert. Click to enlarge.Solar Burst, Julie Legault. Click to enlarge.Illusions of Familiarity (collaboration with Emily Hayes, Design Interactions), Ka... Click to enlarge.What’s Your Flavour E153, Grant McCaig. Click to enlarge.Balance, Sadhbh Isabelle McCormack. Click to enlarge.Untitled (frame), Laura McGrath. Click to enlarge.Stillness Light, Alkesh Parmar. Click to enlarge.Still image of Spinal Cracker, Anna Maria Rogersdotter Hedman de Garza. Click to enlarge.Untitled, David Roux-Fouillet. Click to enlarge.Neckpieces A, B, C, Birgit Marie Schmidt . Click to enlarge.Untitled, Louise Seijen ten Hoorn. Click to enlarge.Untitled, Lee Simmons. Click to enlarge.Illusion or Real Pendant, Megumi Toyokawa. Click to enlarge.‘Made to Treasure and Pleasure’, Silvia Weidenbach. Click to enlarge.
  • Show RCA 2011

    Goldsmithing, Silversmithing, Metalwork & Jewellery

  • GSM&J’s attitude has shifted from a purely object-based focus to a wider scope, questioning and exploring issues centred on the human condition. We are responsive to the rapidly changing social and cultural landscape, and draw on history and technology in nurturing intellectual and creative skills directed at understanding and pushing forward jewellery and ‘objects of human making’.*

    As applied artists, being in control of the making process either by using our hands or through digital technologies is very important; it is our way of making sense of the world. As individuals we are fascinated with the rich and diverse materials and resources the world has to offer, and through the individuality of our personal visions we make our contribution to the bigger picture.


    We believe that a work embodying a well-constructed or well-argued thought is as valuable as the most perfect diamond. 


    * as translated in Francis Ponge’s book, SOAP.