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  • Imagining Imagination. Click to view.

    Imagining Imagination

  • Critical & Historical Studies

    Imagining Imagination International Conference 2011

  • The transdisciplinary conference Imagining Imagination investigates different conceptualisations of imagination, the capacities through which imagination can be imagined, and images of imagination that are being produced as part of research on the subject.

    Conference Organisers

    Dr. Michael Schwab, Royal College of Art, London
    Dr. Sabine Flach, SVA, School of Visual Arts, New York City
    Maureen Jeram, Berlin
    Dr. Aikaterini Fotopoulou, King's College London


    Booking Information

    Venue: Royal College of Art, Kensington Gore, London SW7 2EU, UK

    Dates: 10 & 11 June 2011

    Click here to download the conference exposé and the call for papers.

    Conference Fee: £150 full/£60 reduced

    Click here to book a place.


    Imagination has long fascinated and divided the sciences of the mind. It is currently one of the most relevant issues for the sciences (medicine, neuro- and cognitive sciences and neuropsychoanalysis) to not only conduct research on the fact that we think and perceive, but rather on how, why and what we think and perceive. With this shifted emphasis the relation of the brain to the whole body has become relevant linking research on imagination to theories of embodiment.

    Imagination is the most significant capacity of humans to interact with the environment. Just with imagination we are able to connect the past with the future, which forms the basis of decision-making processes. To understand the complex and highly determined processes of imagination, the Imagining Imagination International Conference provides an interdisciplinary perspective to understand how culture – images, music, language, poetry – influences and determines our imaginative world.

    Speakers from a variety of disciples will share what imagination means to them and will discuss what a more imaginatory theory of imagination might add to our current understanding. The disciplines that are represented include the creative arts, the history of art, science and medicine and their respective histories, literature, cultural studies, to name a few. From an interdisciplinary perspective, the conference will clarify the highly subjective processes of imagination, making them visible and with that understandable. It will shed light on the capacity of imagination for societies to understand the interaction of an individual with its environment.


    Programme

    10 June 2011

     09.30 Introduction (Sabine Flach / Michael Schwab)
     10.00 Image and Imagination
      Chrissy Mejins: What's Imagining Got to Do with Images?
      Esa Kirkopelto: Temporary Absolutes. Imagining Imagination without Image
      Joan E. Greer: The Artist's Imagination: Fin-de-Siècle Discourses on Creativity, Pathology, and Religious Vision
      Paolo Guidici: I rest not from my great task: Walter Benjamins theory of Imagination
      Patricia Townsend: Envisioning the Unseen: A psychoanalytic view of the role of imagination in the creative process of the visual artist
     12.30 Lunch
     13.30 Senses and Imagination
      Ciprian Sperenza: Staging phenomena: The interplay between phantasy and perception in aesthetic experience and psychopathology
      Morgan Quaintance: Imagination and Participation
      Kathleen Coessens: Invisible bodies – Dialogues of imagination embedded in experimental sedimentation
      Mika Elo: (Dis)synchronies of Vision and Touch
      Andreia Paula da Costa Valquaresma: Creativity and imagination: The two sides of the same coin? A comprehensive exploration of the relationships between two fundamental constructs of human psychological functioning.
     15.40 Tea/Coffee
     16.00 Hyperseeing
      Jocelyn Cammack : Seeing-As Thinking
      Ulla Kallenbach: Imagination and Spectatorship
      Nicola Oxley and Nicolas de Oliveira: Towards the Door we never opened
      Tom Fecht: Camera Obscura - Reassembling a Master–Tool
      Nina Stuhldreher: 2nd Order Perceptions: A test drilling at the controversial intersection between neurodiversity, self-empowerment and cybernetic brain-spill scenarios.
     18.30 Keynote: Suzanne Anker: Between Awe and Artifice: Welcome to Wonderland
     19.30 Close


    11 June 2011

     09.30 Instruments and Tools
      Alan Singer: Reasonable Imaginings: Learning from Imagination
      Joana Batel: The face of the line
      Nina Samuel: The Morphology of Mathematical Ideas: Imagining Forms of Formulas
      Nathaniel B. Jones: Imagination and Metonymy in Fifth-Century Athens
      Margareta Hesse: Stimulus and Linking
     12.00 Lunch
     13.00 Keynote: Dan Hutto: Basic Imagination: Nature and Origins
     14.00 Scenes of Imagination
      Harald Klinke: The mental labor of the artist - Visual Imagination in Reynold's art theory and the epistemic image in 18th century sciences
      Michael Kausch: Imagination and Reality: Structures of Artistic Thinking in the Series of Claude Monet.
      Beth Elliot and Sukhi S Shergill: Capturing the Imagination
      Gerhard Scharbert: Imaginatio. A short history of the interdepencies of science and aesthetics in 19th century
      Katharina Weinstock: In search of an aesthetic perspective: Marcel Proust's conception of imagination
      Maureen Jeram : The Gesture of Imagination
     16.10 Tea/Coffee
     16.40 Environments and Imagination
      Dawna Schuld: Going Back to Look at the Shadows: situating Plato in a genealogy of installation art practice
      Deborah van der Plaat: A many-sided imagination: Victorian re-workings of the romantic genius
      Martin Soberg: Imaging Sites
      Hannes Rickli: How is imagination materialized in experimentation on the acoustic communication of gurnards? An artistic exploration.
      Annette Blum: Alternative spaces of remembrance and healing in post-apartheid South Africa: visual narrative and 'voice' in the Bambanani body maps.
     19.00 Close