Rees, A L (2011) ‘Seeking Structure: Art and Film in the 1970s and Beyond’, in: C. Path (ed), T,O,U,C,H,I,N,G,: Perception and Film/Wahrnehmung und Film, Westfälische Kunstverein, Berlin: Vice Versa

Rees, A L (2011) ‘Expanded Cinema and Narrative: A Troubled History’, in: D. Curtis, A L Rees, D. White and S. Ball (eds), Expanded Cinema: Art, Performance Film, London: Tate Publications. This multi-authored book is based on, but also expands, the seminars and conferences held at BFI Southbank (December 2008) and Tate Modern (April 2009 as part of the AHRC-funded project ‘Narrative Exploration and Expanded Cinema’.

Rees, A L (2010) 'Liquid Cinema and the Watery Substance of Vision', Iconics (Journal of the Japan Society of Image Arts and Sciences, Tokyo)

Rees, A L 'Four Film and Video Makers (Sam Rebello, Simon Payne, Jennifer Nightingale, Neil Henderson)', Sequence 1 (1)

Rees, A L (Winter 2009–10) 'Projecting Back: UK Film and Video Installation in the 1970s', Millennium Film Journal, 52

Rees, A L (2009) 'Time Slice: Tim Macmillan', in: P. St George (ed), Sequences: Contemporary Chronophotography and Experimental Digital Art, London: Wallflower Press

Rees, A L (2008) 'Movements in Art 1912–40 and Movements in Art 1941–79', in: S. Comer (ed), Film and Video Art, London: Tate Publications

A History of Experimental Film and Video was published by the British Film Institute in 1999 and is in its tenth reprinting. Widely cited and used by film courses in Europe and the USA, the book describes the international film avant-garde from the 1920s to present-day UK film artists. A period of research leave in early 2011 was awarded by the Research Committee to prepare a revised edition of the book for BFI/Palgrave Macmillan, for publication later in the year.