I am more interested in the approach towards the subjects addressed in my videos and installations than in the subjects themselves as ‘observations’ or ‘facts’. Thus, the idea that predominates is that of subversion. Images and situations drawn from everyday visual culture are subjected to processes of fragmentation (both literally and metaphorically) and irony. Those concepts often adopt a playful schema in which the ‘truth’ of an image or situation is ‘there’, but it is never solid enough to decode with certainty.