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  • Raymond, David Amar. Click to enlarge.Automated Craft, Julian Bond. Click to enlarge.Dislocation Clock, Han-Hsi Chen. Click to enlarge.Secret Stash, Yiting Cheng. Click to enlarge.Extruded Foam Lampshade, George Fereday. Click to enlarge.Lighting Installation, Valerian Gagnaire. Click to enlarge.Community Facility, David Hood. Click to enlarge.Untitled, Iain Howlett. Click to enlarge.Compost Distiller, Lisa Johansson. Click to enlarge.The Office of Jennifer Brown, Kieren Jones. Click to enlarge.Pizzas for the People, Hwang Kim. Click to enlarge.Stool Chair, Krystian Kowalski. Click to enlarge.Stool for Two, Yuya Kurata. Click to enlarge.The Seaboard, Roland Lamb. Click to enlarge.Stool, Seongyong Lee. Click to enlarge.Dining Table, Georgi Manassiev. Click to enlarge.Ultreia, Jorge Mañes. Click to enlarge.Interior Aquaponics System, Rob Maslin. Click to enlarge.Exploded Perspective, Azusa Murakami. Click to enlarge.Nomadic Sound Systems, Benjamin Newland. Click to enlarge.Inbetween Digits, Hye-Yeon Park. Click to enlarge.Minimal Work Station, Fredrik Paulsen. Click to enlarge.Vitriol, Karen Price. Click to enlarge.Rope Bench, Yoav Reches. Click to enlarge.Flow/Ultradur® Sink, Emil Rosen. Click to enlarge.Saharawi Refugees: Using the Hot Sand Technique, Florie Salnot. Click to enlarge.Untitled, William Shannon. Click to enlarge.Waving Leaves, Ji Young Shon. Click to enlarge.The Chasers (Hungry Caterpillars) in HotelRCA Lobby (Milan Furniture Fair, April 2... Click to enlarge.Mapping Television Remote Use, Tom Stables. Click to enlarge.Pressed Chair, Harry Thaler. Click to enlarge.Watch and See, Hina Thibaud. Click to enlarge.Filmbox, Jamie Tunnard. Click to enlarge.Substitutes, Billur Turan. Click to enlarge.Polymer Light, Dirk Winkel. Click to enlarge.Naturally False, Els Woldhek. Click to enlarge.Bookshelf (from the Shrink series), Nicola Zocca. Click to enlarge.
  • SHOW 2010

    Design Products

  • The Design Products Department recognises that design is an activity that fundamentally shapes our world and influences the processes of change. We aim for our students to find their own place, from where they can lead or contribute to these processes.

    Although there is a focus on product and furniture design, we do not see any limitations to our field, understanding very well that most of tomorrow’s products and services do not yet exist today. As we are living in a rapidly changing world, we want to be forward-thinking and engage with new possibilities. We aim to engage with design as a cultural activity in the context of art, sociology, the environment, humanity, technology, and diverse forms and scales of production. The department has a strong culture of experimentation, innovation and debate. We see these as tools or systems to develop our thinking about design, and even more, what design can be.


    Platform 2


    Design practice does not exist alone, nor can it be seen as purely an exercise in creating self-contained artefacts; it has to be an intrinsic part of a wider system, acting perhaps as catalyst or as parasite, prompting thinking about why, how and where things connect. Platform 2 attempts to reconcile conceptual creativity with active contribution within design. Students are encouraged to share their ideas and gather information from the public domain to ask themselves the question: ‘How will we live in the public domain?’

    Tutors: Jurgen Bey, Alexander Grünsteidl, Simon Heijdens
Guest tutor: Greetje van Helmond


    William Shannon, Kieren Jones


    Platform 6


    Thoughtful play is an integral part of Platform 6. We are interested in intuition and a physicality within the design process. Experimentation and a honing of practice are used as a method to support the students in finding their own way of working.

    We are interested in the fine line between following and creating the brief, and using this to find appropriate and creative ways of practising in a world of asinine over-production and bland commerce.

    Tutors: Michael Marriott, Luke Pearson


    Krystian Kowalski, Yuya Kurata, Seongyong Lee, Georgi Manassiev, Robert Maslin, Harry Thaler, Nicola Zocca


    Platform 8

    Platform 8 encourages students to find their own voice and position in design – their own motivation. This assumes knowledge of and openness to self, a thorough understanding of the potential context for their work, and good knowledge of the processes involved. It implies asking the right questions – before finding the answers in design. It also implies finding a purpose and meaning for our projects, through wide-ranging research and debate, and establishing connections in broader fields including fine art and sciences.

    Tutors: Gabi Klasmer, Julia Lohmann


    Guest tutors: Studio Glithero, rAndom International


    Han-Hsi Chen, Valerian Gagnaire, Roland Lamb, Azusa Murakami, Pierre-Guillaume Ospina, Karen Price, Yoav Reches, Els Woldhek, Ji Young Shon


    Platform 10


    Design is about making future change a part of the present. Platform 10 guides its projects through a process of conceptualising change and designing products that demonstrate alternatives to existing typologies and solutions.

    The design approach is characterised by a thoughtful exploration combining imagination with anticipation. With a strong social bias, curiosity for technology and an appreciation of cultural insights, the platform supports designers who are interested in extrapolating from their personal world into the universal. The key interest of the platform is in designs that challenge paradigms and offer new typologies.

    Tutors: Daniel Charny, Roberto Feo


    David Amar, George Fereday, Iain Howlett, Lisa Johansson, Florie Salnot, Hina Thibaud, Billur Turan


    Platform 12


    The ambition of Platform 12 is to examine the reintegration of design with function. Design is not only about entertainment, where obsession with the latest fad or the predominance of individual genius far exceeds commitment to the collective effort that is needed to construct a new landscape for industrial design. Platform 12 attempts to achieve a better balance – whereby design can be seen as communication, a celebration of a model for how things work, where once again we can treat function as beauty, instead of merely treating design as form and image.

    Tutors: Durrell Bishop, Sam Hecht, Andre Klauser

    Yiting Chen, Hye-Yeon Park, Emil Rosen, Tom Stables, Jamie Tunnard, Dirk Winkel


    Platform 13


    Platform 13 starts from the premise that our current global society, with its prevailing techno-political system, faces challenges of an unprecedented scale.

    We are asking ourselves how design can contribute to alternative models of living and production by engaging with, commenting on and addressing issues currently beyond the usual scope of design – political, social, technological or ecological. We are exploring the potential of creating tangible objects or interventions that impact at a social or behavioural level, by engaging with new methods of production and dissemination.

    Tutors: Onkar Kular, Sebastien Noel


    Julian Bond, David Hood, Hwang Kim, Jorge Manes Rubio, Benjamin Newland