•  

     

  • Content within this section...
  • Neolithic/Extant, Claire Bayliss. Click to enlarge.Doorway, Lydia Carline. Click to enlarge.Alignment: Self Portrait Protest with Boudicca, Cordelia Cembrowicz. Click to enlarge.Untitled, Laura Clarke. Click to enlarge.Untitled, Anna Curtis. Click to enlarge.Graphite Heart, Beatrice Haines. Click to enlarge.Spun, Olivia Hicks. Click to enlarge.Golden Record II, Poppy Jones. Click to enlarge.A Practiced Place, Sun Ju Lee. Click to enlarge.Pumping Up!, Anna Lomax. Click to enlarge.Figure, Hélène Martin, MPhil. Click to enlarge.It’s Not Only Dogs That Can Lick Hands, Jon Mayers. Click to enlarge.Where Spectres Dance to Welcome Springtime, Olenna Mokliak. Click to enlarge.Fruit Box Still Life Jig, Helen Murgatroyd. Click to enlarge.Erin Means Ireland, Erin Newell. Click to enlarge.The Boy I Love is up in the Gallery, David Orme. Click to enlarge.Orchestra, Neasa Terry. Click to enlarge.Get Your Sterile Surgical Rubber Gloves Off My Soul, James Winter. Click to enlarge.Red Circle Solo, Christina Wrege. Click to enlarge.
  • SHOW 2010

    Printmaking

  • Printmaking is a department that thrives on hybridity. We choose students who work in a diverse range of media, to create an environment where the centrality of print in contemporary culture can be explored through making and discussion. Debate centres around the students’ own work and the work of visiting artists, writers and critics. External shows, publishing projects and collaborations give students professional experience throughout the course.

    We create a space where the interplay between text and image – the drawn, the scanned and the photographic – can be explored in relation to the ideas and implications of the multiple. Each intake of students redefines the nature of print, which is in a constant state of flux as technologies die, emerge and remix. We aim to develop the creative potential of each student, and to equip them with the practical and intellectual skills to thrive as artists.