Juliet Ash was awarded AHRC match-funding with the RCA to complete a book entitled Dress Behind Bars: Prison Clothing as Criminality, which was published in Autumn 2009 by IB Tauris.

Published work includes:

Dress Behind Bars: Prison Clothing as Criminality (2009), I.B.Tauris

‘Prison Dress' in Steele, V., Breward, C. (ed.), (2005) The Encyclopaedia of Clothing and Fashion, Thompson Gale, MI

‘The Aesthetics of Absence: Clothes Without People in Painting’ in De La Haye, A., Wilson, E. (eds.) (1999), Defining Dress, Manchester University Press

‘Tied To Absence: Gender, Power & Aesthetics through the Wearing of Ties’ and  ‘Memory Objects’ in Kirkham, P. (ed.) (1996), The Gendered Object, Manchester University Press

Ash, J., Wilson, E. (eds.) (1992), Chic Thrills: A Fashion Reader, Harper Collins

‘Tarting up Men’ in Atfield, J., Kirkham, P. (eds.) (1989), A View From The Interior, The Women’s Press

‘Fashion as Aperception’ in McRobbie, A. (ed.) (1988), Zoot Suits and Second Hand Clothes, Macmillan

Ash, J., Wright, L. (eds.) (1987), Components of Dress, Comedia, Routledge   

Journal and newspaper articles include:

‘Archives & Collections: The Prison Uniforms Collection at the Galleries of Justice Museum, Nottingham, UK’ in a special issue on Uniforms, The Journal of Design History

‘The Untruthful Source: Prisoners’ Writings, Official and Reform Documentation, 1900 – 1930’ in Working Papers on Design

‘Dress Behind Bars: Consumption as Redemption’, Russian Fashion Theory Journal, (March 2008), pp. 135–51

‘Prison Uniform’ in The Vacuum, (2005), Belfast cultural newspaper funded by the British Council

‘Heba – Production as Participation: An Alternative Mode of Production in the Fashion Industry’, (2002), Feminist Review: Fashion & Beauty Issue, Issue 71