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  • Phu Tay Ho, Hanoi, Marco Bohr MA . Click to enlarge.Reflections In Black, Self Portrait #1, Matthew Booth. Click to enlarge.Untitled I, Bianca Brunner. Click to enlarge.In Her World, Lisa Byrne. Click to enlarge.Day 6, Patricia Chan. Click to enlarge.A Space of 'In-between', Hyun-Ah Cho. Click to enlarge.Mollymuddle, Simon Cunningham. Click to enlarge.Untitled, Christian Hagemann. Click to enlarge.Monochrome #2, Gerd Hasler . Click to enlarge.Three Plinths, Sunnifa Hope . Click to enlarge.Untitled I, Marie-France Kittler. Click to enlarge.ROTTEN ROW, Kimberly Schoen MPhil. Click to enlarge.Indian Summer, Michael Schwab PhD. Click to enlarge.Untitled, Sarolta Szabó. Click to enlarge.An Inside Suspended, Jesper List Thomsen. Click to enlarge.X, Y and Z, Sally Verrall. Click to enlarge.Untitled, Simon Ward. Click to enlarge.Samantha Singing, Claire Wheeldon . Click to enlarge.Ullswater, 2006, Emma Wieslander. Click to enlarge.Longtimesong, Viola Yesiltaç. Click to enlarge.
  • The Great Exhibition 2007

    Photography

  • Fine Art

    This year Painting, Photography and Printmaking are marking this special 150 year anniversary by showing the work of graduating and research students together in one exhibition. Sculpture, the fourth department from the School of Fine Art, has already exhibited in Battersea due to the scale and possibilities of the Howie Street site for large work.

    The current philosophy of the School of Fine Art is that its four departments offer specialisms. Each department engages with an in-depth study of the discipline, understood as discourse constituted by a dynamic history of practices and theories. The specificity of each discipline also includes a necessary interdisciplinarity.

    This years show intends to demonstrate the necessary overlaps and relations between each discipline. A departure from all previous approaches, the departments have taken an overview together, and worked towards a unique and special meeting, a common ground. This is not a group exhibition of works, but of individual practices in a group. The work is woven together as one, and not separated by subject. The approaches are diverse, as are the media and scale of works, each artist pursuing her or his own practice uniquely, to their own ends. What binds the works together is their seriousness and depth, and qualities of real promise. Some projects are made and installed especially for this exhibition, whilst others are invested and produced across time.

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    Paolo Giudici