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  • The Moat Garden at the Festival of Britain's South Bank Exhibition, Harriet Atkins... Click to enlarge.Knitting Pattern 1930's Patons and Baldwin, Jennie Atkinson. Click to enlarge.The Lazzaretto of Milan, Natasha Awais-Dean. Click to enlarge.Poetry Pavement Bath City, Toby Bull . Click to enlarge.Gustavsberg Kitchen Knife, Nuno Coelho. Click to enlarge.Francis Hayman - Quadrille, Engraved from the Original Painting in Vaux Hall Garde... Click to enlarge.Dining Room, Dorchester House. Interior and Furniture Designed by Alfred Stevens, ... Click to enlarge.South Bank Centre Undercroft, Ellie Herring. Click to enlarge.Theatrical Costume Design for a Female Jester by C Wilhelm, Hannah Kauffman. Click to enlarge.Central Council for Health Education Poster, 1936, Jessica Kelly. Click to enlarge.Tureen and Lid c 1760, Llio Lloyd-Jones. Click to enlarge.View of the Central Courts of Westminster Hall, Olivia Lowrey . Click to enlarge.Frederick Vodrey's Vase, Dublin 1880s, Aisling Molloy PhD. Click to enlarge.The Surgeon's Mate by John Woodall, 1639, Helena Nicholls. Click to enlarge.The Ruins of Kenilworth Castle in Warwickshire Visited Most Famously by Queen Eliz... Click to enlarge.Museum Branded Products Being Sold at the V&A Shop, Young Shin Park. Click to enlarge.Don Francisco Taulli Chumbi Saba as Huascar Inca, Katherine Parkins. Click to enlarge.Lucile Model in Interior, 1910-15, Samantha Safer. Click to enlarge.Fashion Victims and Otakus in Tokyo: Obsessive Youth Since 1990s, Takeharu Sato. Click to enlarge.Londinium, Edward Town. Click to enlarge.
  • The Great Exhibition 2007

    History of Design V&A/RCA

  • Our department offers a unique opportunity to study the history of design and material culture. It benefits from being taught in the context of the high level of design practice undertaken by students at the RCA and the huge resources of the V&A. Students in the department study the history of design, both through its objects and its contexts – social, cultural, economic, political, technical and aesthetic. Our aim is to improve the quality of research and debate surrounding design and its practice, and to extend historical enquiry to include objects of design as a form of primary source material.